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The January 4, 2010 issue of USA Today
contained a piece by Eboo Patel entitled "Moderate Muslims? We're
Everywhere". Mr. Patel wrote of a hypothetical encounter with an
extremist:
In fact, if one of
those guys had a single bullet in his gun and you and I were up
against the wall, he would shoot me first. He hates me more because
not only do I not follow his perverse vision of Islam, I also
represent an alternative interpretation. He insists Islam requires
domination; I suggest Islam inspires cooperation.
Here can be seen the effects of "an irritable
reaching for fact and reason:" the tendency extremists have to claim
a completeness that cannot reasonably be claimed and the inevitable
emergence of a moderating impulse that the extremists view as
heresy.
We can see this in the Republican Party trying
to cope with the both the immediate and long-term consequences of
the losses suffered in 2008 – the loss of Congress and the
Presidency, and the long-anticipated demographic realities that put
Barack Obama in the White House. Their response? An abhorrence of
any moderating impulse in their own party, even in the face of the
potential loss of support of centrists, who are critical to any hope
of electoral success in the near term.
Perhaps this is an inevitable consequence of
injecting religion into politics. The fundamentalist begins by
subsuming his or her identity to the doctrine, but the doctrine
inevitably becomes a means to the end of personal political
ambition. Jeff Sharlet of Salon wrote a terrific expose of The
Family, a shadowy Christian fundamentalist group that is the “power
behind the throne” of many far-right politicians, in the July 21,
2009 issue. Sharlet quite succinctly captures this confusion of the
religion and personal ambition with this passage:
Sen. Pryor explained to me the meaning of bipartisanship he'd
learned through the Family: "Jesus didn't come to take sides. He
came to take over." And by Jesus, the Family means the Family.
-- Salon 7/21/09: “Sex and Power Inside the
C Street house.”
This dispatch was written with contributions
from Brian Prioleau
Pictures: Moktada al-Sadr, Pat Robertson
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